[3], The artist depicted himself at the height of his career, richly dressed and self-secure. A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912). Inspired and challenged by his exposure to giants of Renaissance art, Rembrandt created a self-portrait that resonated with this experience through elements of dress, pose and even by signing the painting with his first name only. Without a licence, no further use can be made, such as: Because collections are continually updated, Getty Images cannot guarantee that any particular item will be available until time of licensing. 3691 x 4740 px (31.25 x 40.13 cm) - 300 dpi - 5 MB. In comparison, the brushwork broadens and becomes more dynamic in the folds of fabric surrounding his right arm. No other rights or warranties are granted for comp use. {{formatPrice(size.discountPrice || size.price)}}. Your Getty Images representative will discuss a renewal with you. This video is part of our Analogue Archive, which means it isn’t stored on our website. Rembrandt van Rijn painted, etched or drew about 100 self-portraits in his life. Self-portrait by Rembrandt (National Gallery, London), Rembrandt, Self-Portrait at the Age of 34, http://www.nationalgallery.org.uk/paintings/rembrandt-self-portrait-at-the-age-of-34, https://en.wikipedia.org/w/index.php?title=Self-portrait_at_the_age_of_34&oldid=951698514, Creative Commons Attribution-ShareAlike License. Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London. It is not surprising that Rembrandt, the greatest painter-printmaker of 17th-century Holland, created this flamboyant likeness. Collect, curate and comment on your files. Rembrandt recorded his viewing of it in a small sketch. 1636–38, executed only a few years earlier than the National Gallery’s. Self Portrait at the Age of 63: Artist: Rembrandt: Artist dates: 1606 - 1669: Date made: 1669: Medium and support: Oil on canvas : Dimensions: 86 x 70.5 cm: Inscription summary: Signed; Dated: Acquisition credit: Bought, 1851: Inventory number: NG221: Location: Room 22: Art route(s) B: Collection: Main Collection: Self Portrait at the Age of 63. Your EZA account will remain in place for a year. The London self-portrait, one of more than 80 produced in various media over the course of his life, is rich with clues about Rembrandt’s industry and far-ranging aesthetic interests. Equally significant was Rembrandt’s marriage to van Uylenburgh’s niece Saskia, in 1634. The growth of local collections too provided occasions to study great works of art. 'Self Portrait at the Age of 34', 1640, (1912). *, {{ t('save_amount', { amount_saved: formatPrice(pack.amountYouSave) }) }}, {{ t('pack_count_lowercase', { total: pack.packCount }) }}, {{t('compared_with_single_price', {price: formatPrice(selectedSize.price) }) }}, *UltraPacks never expire as long as you sign in at least once a year. You are welcome to use content from the Getty Images site on a complimentary basis for test or sample (composite or comp) use only, for up to 30 days following download. Rembrandt van Rijn’s “Self-Portrait at the Age of 34,” on loan from the National Gallery in London, is on view at the Norton Simon Museum in Pasadena through March 5. The Norton Simon Museum is temporarily closed. Rembrandt van Rijn’s Self Portrait at the Age of 34, a striking painting from The National Gallery, London, makes its U.S. debut this December in the galleries of the Museum.Created in 1640, this imaginative, ambitious and exquisitely painted image corresponds to a high point in the artist’s personal and professional life. The so-called Ariosto by the Venetian painter Titian, also in the National Gallery in London, resided at the time in the Amsterdam home of Portuguese entrepreneur Alphonso Lopez. Order a high-quality print of Rembrandt's self-portrait in a range of finishes, sizes & framing options from the National Gallery. In April 1639, for instance, one year before Self Portrait at the Age of 34, Rembrandt attended a sale that featured a famous portrait by the Italian Renaissance master Raphael: the renowned image of the courtier Baldassare Castiglione, now in the Louvre. [2], He had tried out a similar pose in an etching of 1639, Self Portrait, Leaning on a Stone Wall (B21), looking rather more rakish. However, the underlying concept for this depiction is unique in the master’s oeuvre, nurtured by his desire to emulate his renowned Renaissance precursors both north and south of the Alps.

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